GariBay Music Studio helps artists and producers get radio-ready sound — clean mixes, competitive masters, and precise audio tuning.
From a single stereo mix to full album mastering, every project gets the same close attention to detail.
Balancing levels, EQ, compression, and spatial placement to turn your raw stems into a cohesive, professional mix.
Final polish and loudness optimization so your track translates cleanly across streaming, radio, club, and car systems.
Mastering applied to grouped stems (drums, bass, vocals, music) for finer control than a single stereo master allows.
Pitch correction and vocal/instrument tuning that stays natural — precision without the robotic artifacts.
Noise reduction, click/hum removal, and cleanup for old recordings, podcasts, or damaged audio files.
Send your raw stems and get back a fully mixed and mastered, release-ready track in one pass.
From upload to final delivery, here's what to expect.
Send your stems or rough mix along with reference tracks and notes on the sound you're after.
Your track is mixed and/or mastered with regular check-ins if needed.
Listen back and request revisions — 3 free revision rounds included.
Receive your final files in your preferred format, ready to release or distribute.
Per-track pricing with discounts for EPs and albums.
Dense sessions (40+ tracks, orchestral or live-band arrangements) run about 20–30% above base pricing — contact for an exact quote.
A selection of before/after examples from recent mixing and mastering projects.
Every track tells a story — let's tell yours. I'm Francisco Garibay, a mixing and mastering engineer based in California's Central Valley, working with artists across Rock, Pop, Country, and CCM.
My approach to mixing is musical, not static — a mix should always be breathing. I work ITB in Logic and Pro Tools, using UAD, SSL, Soundtoys, FabFilter, Waves, and more, and I include light vocal and instrumental tuning on every mix (heavier tuning and cleanup are priced separately). I'm bilingual (English/Spanish) and stay in close contact with the artist at every step, so the final mix matches the vision in your head.
Uncompressed WAV stems (24-bit, session sample rate) work best. For mastering-only, a stereo WAV bounce with a few dB of headroom.
Every project includes 3 rounds of revisions, so you have room to get the mix or master exactly right.
Typically 5–7 business days, depending on the size and complexity of the job.
Yes — mastering applied to grouped stems (drums, bass, vocals, music bed) for more control than a standard stereo master.
[Optional: list accepted payment methods, e.g. card, PayPal, bank transfer.]
Fill out your project details below and I'll follow up with a quote and timeline. Once we're aligned on scope, I'll send an invoice through Square — 100% due upfront before work begins.